spottiswoode

RAVE REVIEWS & SELL-OUTS by SPOTTISWOODE

The band celebrated their 21st anniversary with sold-out shows for the release of their 7th record, LOST IN THE CITY, at both Joe’s Pub in NYC and the deej in Washington DC. In NYC they were joined by special guest Antoine Silverman who played soaring gypsy fiddle on two of the songs, Walk Of Shame and I Don’t Regret. Rave reviews for the new record produced by Riley McMahon and also for the Joe’s Pub concert will be posted on the Press Page.

Double Award Winner by SPOTTISWOODE

The title track of my recent solo record BLAZE OF GLORY has just won two awards in a row. First it won the Mark Award in Los Angeles for Best Underscore In a Television Show. And then it won the Production Music Award in London in the same category. The whole song was used beautifully in an episode of the DirecTV mixed martial arts drama, Kingdom. You can watch the entire clip HERE

Many thanks to Thomas and Gregoire Kouzinier at the French label Super Pitch for commissioning the album. Thanks also to Riley McMahon, producer extraordinaire at New Warsaw Studio in Brooklyn. And further thanks to Carol Sue Baker at Ocean Park Music for pitching the song for the show. 

A Street Cat Named Bob by SPOTTISWOODE

There's a lot happening this Autumn.
On November 4th the lovely feature film A Street Cat Named Bob will be released in the UK. Two weeks after that, on November 18th, the film will be released in the US. Two of my songs are in the film. Indeed, one of my songs, Beautiful Monday, opens the picture. The second song, Still Small Voice Inside, turns into a bit of a singalong halfway through the story.
The film's star, Luke Treadaway, plays a drug-addicted London busker who ultimately gets "rescued" by a stray cat. He performs both songs along with a few by Charlie Fink of Noah and The Whale. The story is based on the international best-selling memoir by James Bowen
How did the songs end up in the film? 
Funny you should ask. Since the director's name is Roger Spottiswoode it may seem like an obvious case of nepotism. But we're not related. Roger - who has directed everything from James Bond to Tom Hanks and Sylvester Stallone movies - happened to read a couple of scripts of mine during the summer of 2015. At the time he was in the middle of pre-production for A Street Cat Named Bob. He contacted me and asked if I might have a few songs...
To celebrate the New York release, the band will play its only show of the season at Rockwood Music Hall in Manhattan on Saturday, November 19th.

Germany by SPOTTISWOODE

After five scintillating East Coast spring shows with my Enemies I've retreated to Europe. Next plan: invade Germany. Playing three gigs this July, two in Berlin and one in Hildesheim. Accomplices? Matti Muller, German gypsy gentleman guitarist; Jonny Gee, lunatic Anglo bassist; Angie Stricker, beauteous Berlin siren. A debut for the quartet. Makes me very curious. Particularly regarding backing vocal harmony textures. Matti and Jonny did an excellent job in London last Christmas. Who knows what the added dimension of Ms. Stricker's steely tones will bring. A German Emmylou Harris perchance? All to be discovered soon. Check the shows page for details... 

BLOODLINE by SPOTTISWOODE

I'm a wee bit chuffed about this. A song I wrote a while back will be the closing track of the closing episode of the new Netflix series, BLOODLINE, starring Kyle Chandler, Sissy Spacek, Chloe Sevigny and Sam Shepard. 

I first blurted out ALL IN THE PAST in my old East Village apartment in about 2007. To this day I can't tell if it's bitter or righteous. "I was young not so long ago but that was then and you'll never know…" I took it to the band and it turned into even more of a rocker than I imagined. 

A few years later we recorded it at Old Soul Studios and it became the fourth track of WILD GOOSECHASE EXPEDITION, our Independent Music Award-winning 2011 album produced by the incomparable Kenny Siegal and mixed by the sonically ingenious Tom Schick.

The band still plays the tune. In fact, it's one of the most liberating ditties in the repertoire for me to sing. I can't really explain why. I just still connect to it.

A couple of months ago Mark Wike, the BLOODLINE music supervisor, approached our LA rep Carol Sue Baker, and asked if she could find him "a dark song sung by an older dude about not being able to escape the past." Carol Sue kindly thought of me and supplied him with a few of my songs.

Completely coincidentally, one of the writers on the series is the remarkable novelist, Arthur Phillips. Arthur, a big fan of the band, had separately approached the show's producers recommending they use an Enemies track - thanks, Arthur! - but apparently by the time they were syncing the final episode they had completely forgotten his suggestion. 

BLOODLINE will be released by Netflix in its entirety on Friday, March 20th. All thirteen episodes. And we're at the very end. A good excuse to binge-watch.